Make Music - The Digital Way
Even a few years ago when the recording technology underwent a metamorphosis people all over the world sang out praises for the growing convenience with which music was being produced. Following the digital boom however the scene has undergone a further development. No longer do you need to queue up in front of a studio to get your little track
recorded. No longer do you need to coax your parents to lend
you the money for the hi-tech studio equipment you would need to turn your practice pad into a swanky recording patch. And it's all because of the wonder box we have all come to know and love as the Personal Computer.
Thanks to the PC you can now not just record but also edit
your own musical creations right in the comfort of your own
home. All you need for the process is a proper 'music
production software' (not exactly a rare breed and available
easily on a number of free download sites on the net) and
some great hardware.
If your budget is permissive get yourself a proper software
package for as little as a few hundred dollars. Also, acquire
a good, professional-quality audio interface (which will set
you back by about $100 but no more) and get your own virtual
recording studio right in your garage! If the large variety
of recording software's available in the market appears a
tad bit bewildering relax, play safe and go for the best.
Cubase, ProTools, Sonar, Sound Forge etc. are some of the
names to reckon with in this field.
Once your track is recorded, mixed and edited, get ready for
the final step of your quest - distribution. Simply upload
your track on to the net. A number of sites and P2P
operationsallow you to upload files so take full advantage
of this opportunity and show the world what you are really
made of.
Once the uploading has been done use community sites such as
Orkut or Facebook to advertise your creation amongst friends
and others. While you are at it, encourage them to simply
download music (the music being yours in this case, and the
downloading being completely legal for a change).
Who knows quite how the recording industry will be affected by
this recent trend. But whether it crumbles or manages to survive and flourish, you will definitely earn your own name amidst all the action. And for all you know maybe the guy next door will be humming your song while in the shower very soon!
Article written by Sarika Kabra.
phil fischer - phil fischer - phil fischer
Finding Music For Your Indie Movie
A majority of indie filmmakers, myself included, do not have the flush production budgets to hire a well known music supervisor or professional composer to score their movie. Let alone can we afford to license or pay royalties to top musicians to use their songs or tracks on the soundtrack. I had produced a urban action movie, Consignment, that had a very limited amount of money to spend on music. Turns out after some additional post-production expenses I had even less than expected.
Movies need music. There really is no way to argue against it. Good music adds impact, emotion, and mood to a film. Tartantino
has made amazing use of music in his films. Many viewers have commented that the music is like a character itself.
I was faced with the choices of putting the completion of Consignment on hold indefinitely until more money could be raised for the soundtrack or trying to find quality music that I could get for free or as close to free as possible. Not wanting to put the movie on hold I set out to shake some trees for music that moved me. It was a gamble I hoped would work.
I checked out some companies on the internet selling royalty free music in all types of genres from rock & roll to world beat for very affordable prices. Type 'royalty free music' into a search engine to listen and shop around. I listened to tons of sample tracks. Most didn't fit the feel of the urban action movie Consignment. A few tracks I did like were out my budget.
A cool thing I did discover is there are some filmmaker friendly sites that will allow you to download free original music to use in your movie. All they ask is that you properly credit the creators behind the music. Sonny Boo offers this on his website. I did not end up using the free downloads, but I think it's good karma they put it out there.
The anxiety and stress of not finding the right music was becoming a mental drain. Nothing worse than the thought of your movie not getting done. I decided to try a different approach to getting the soundtrack squared away. I was going to contact independent bands, artists, and musicians directly with the chance to get exposure on a independent films soundtrack. Indie artists from the music and movie arena collaborating sounded like a win-win.
There's many places to find independent artists and record labels looking to get their music heard. What better way than to be featured on a movie soundtrack? I religiously set aside hours everyday to listen to music from up and coming artists. After I had a narrowed down list of the tracks I wanted to use on Consignment I tracked down these artists and record labels contact information.
My independent music campaign was launched. I emailed, phoned, and faxed my pitch to the people on my list. I was excited about adding music I believed would add tremendously to the overall viewing experience of the movie. It was a tougher sell than I thought to get independent artists and record labels to contribute to an indie movie soundtrack.
My pitch was truthful about only offering credit for their music. My advice is not to BS people. Be upfront. I let them know this was a indie movie without big names or a Hollywood budget.
Here's the rundown of how it played out for me using this approach. I was able to land the music of two artists I felt was perfect. Another artist was interested, but was honest enough to voice their concerns about not knowing how the movie would look when it was done and decided not to contribute to the soundtrack. After Consignment was done I sent them a DVD. They liked it and agreed to compose an original track for my next movie for free.
Most of the record labels ignored my requests or said no money meant no go. I respect that. One record label representative took the time to speak with me at length and made a point that stuck with me. He basically said until you have a name or a movie you've done to show your work people will be skeptical about lending their music to your indie movie. There not against cross-promotion and exposure. There against being associated with terrible movie and bad exposure. That made a lot of sense.
With a few tracks secured that I liked I decided to go directly to the people to find the rest of the music. Consignment being a urban action movie I wanted some hot hip hop tracks. I started hitting websites that had hip hop forums where people could list links to their demos, post beats, and battle other hip hop artists. I posted open calls for artists to submit their tracks for an urban movie.
I got a huge response, but it was chaotic dealing with the amount of tracks that came in. Plus their were obvious copyright infringements and looping done by some contributers. Last thing you want is music on your movie that causes legal problems for your movies release when you sign on with a distributor. I wasn't making a bootleg underground movie to sell out of the trunk of my car. I was going for mainstream rental and retail outlets. I took the time to get all the releases, clearances, and paper work on the movie. I was going to do the same for the music.
After seeing my post I was contacted by the fellas at Jackin4Beats.Com about helping me out. They streamlined and organized the submission process. They posted calls for music on their website for free. Their efforts increased the quality of the submissions ten fold. They only forwarded me tracks that were free and clear to use on the soundtrack with no legal worries. All music clearance forms were signed on the dotted line.
The buzz was there. Next a rising independent music label specializing in West Coast hip hop wanted to be on the soundtrack. They headed into the studio with the synopsis of the movie and cut an original track with the same name as the movie. This song brought and hit hard. I used it on the opening and closing credits of the film. Then I got some tracks from some emerging East Coast rappers with a latin edge that put the soundtrack over the top. These talented artists music rounded out the soundtrack. They understood it's about exposure.
I wanted to touch on my experience and they way I got the movie soundtrack done. There's a lot of avenues for you to land the right music for your movie. Obviously the more money the more choices, but money doesn't have to cut you at the knees making you put bad music on your movie.
There's talented artists and upstart record labels in the same boat as you grinding it out to make in the entertainment business. Everyone is looking for a break. Sometimes you can get it together to make it work and sometimes you can't. Just keep fighting to get what you want. Never settle for music you hate for the sake of completing your movie. You will regret the end product. It won't be easy to secure music you love, but isn't your movie worth the effort? You're damn right it is.
Roland VS2400CD –The Musicians Solution to Recording & Mixing Tracks
The Roland VS2400CD is one of the most affordable mixer and sampling systems available to the any musician today wanting to record and edit all personal tracks.
What the Roland VS2400CD includes are functions such as effect processors which will allow any musician to alter recorded tracks and direct recording of all instruments via the output channels.
Musicians using recording systems are most likely to need dynamic processing control and compression facilities which are all included in the Roland VS2400CD.
The Roland VS2400CD includes fully functional cut and paste facilities which allow easy editing of all play lists which gives the user full management of all tracks.
User functionality has been amended considerably in this latest model to incorporate a fully integrated and easily understandable control main panel display board. If your dream is a mixing desk like the professionals use with the self moving controls, then this is the unit for you.
One major problem most mixing consoles provide the users are a difficult to understand a recording set up functionality. The Roland VS2400CD has been redesigned to take away the difficulty encountered in early models. Up to 16 tracks can be laid down and recorded at any one time.
The Roland VS2400CD operates also in MIDI control. All VGA Monitor devises are fully linkable with mouse equipment inputs as standard. This makes the Roland VS2400CD almost a DAW. Roland VS2400CD interface almost resembles a DAW unit so could fool anyone into thinking the unit cost the price of a high end professional mixing system.
What makes the Roland VS2400CD stand above its competition is that this mixer can record at six different sampling rates and modes. Ranges start from 32 – 96 KHZ. VS2400CD allows an impressive 10 GB partition at a maximum level but this equals and impressive 40 GB using the installed driver.
The Roland VS2400CD system comes with the option to use additional bolt on equipment which can expand memory capacity and enhance sound recording up to a level only met by only by the high end of the market mixer equipment.
The Roland VS2400CD is competitively priced more at the lower end of the market which allows all musicians to record and mix their music rather than pay the excessive high hourly rates charged by studio time and producers.
If you would like to know more technical information or just purely interested in browsing the amazing Roland VS2400CD mixer studio desk, click on the link below or in the resource box attached to this article.
The Roland VS2400CD
Roland VS2400CD
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